Clockwork Kubrick

»Review«

Anthony Burgess’ dystopian novel “A Clockwork Orange” from 1962 is famous for its invented slang called “Nadsat” and its exploration of free will versus social control. Just under a decade later (1971), Stanley Kubrick adapted the work. It is one of his most controversial and visually stunning films—a masterpiece of dystopian cinema that both captivated and horrified audiences.

When I came across this photograph of Kubrick, it seemed immediately appropriate to depict the connection between the book and the film, between Burgess and Kubrick, as the subject of a mini poster. For me, this photo conveys the impression that Kubrick is an actor in the midst of Burgess’ dystopian world, rather than a director standing outside it. And by the way—Kubrick omits Burgess’ 21st chapter, and the film ends on a far more pessimistic note, placing conditioning above redemption.